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SOLID BUS COMP 1.1.0 and higher. SOLID DYNAMICS FX 1.1 and higher. SOLID EQ 1.1.0 and higher. TRANSIENT MASTER FX 1.1 and higher. VARI COMP FX 1.1 and higher. VC 2A 1.1.0 and higher. VC 76 1.1.0 and higher. VC 160 1.1.0 and higher. If you do not know which version of a Native Instruments plug-in is installed on your computer, please refer to. Free Bus 3D models. Free 3D Bus models available for download. Available in many file formats including MAX, OBJ, FBX, 3DS, STL, C4D, BLEND, MA, MB. Find professional Bus 3D Models for any 3D design projects like virtual reality (VR), augmented reality (AR), games, 3D visualization or animation.
The versatile effect is used for narrowing dynamic range, manipulating amplitude envelopes, peak limiting, and more.
Compressors are also well known for having distinct characteristics depending on the circuitry (or in the digital world, the programming,) of the particular model. This raises the question – which compressor works best for you?
Up next in our “Best of Free VST” series, we searched for five of the best free compression VST / AU plugins out there. All the plugins listed have versions compatible with both Mac and Windows and are relatively up-to-date with current operating systems. Some are available directly from Splice’s Plugins catalog.
Be sure to check out the Splice project at the bottom of this article for a demo of the five plugins along with a download of our free custom presets!
1. Rough Rider by Audio Damage
As you might guess from the name, Audio Damage’s Rough Rider is a compressor best suited for aggressive pumping rather than subtle attenuation. The compressor has a warm, vintage sound that can add desirable harmonic content to a drum buss or lead guitar. If you’re going for transparency, look elsewhere, but for compression that leaves its mark Rough Rider will do the job.
Download the free plugin here: Rough Rider
Fallout 4 the rebel download. Rough Rider is compatible with Mac OS X 10.8 and later versions as well as Windows 8 and later versions.
2. MJUCjr by Klanghelm
Klanghelm’s MJUCjr is a compressor that gets a lot of mileage out of minimal controls. A single “Compress” dial manages the ratio and threshold of the compression, while the three-position “Time Constraints” switch simultaneously controls the attack and release times.
Its digital emulation of tube compression provides some colorful saturation, and the compressor can handle smooth attenuation as well as more aggressive pumping. MJUCjr certainly isn’t a compressor intended to be deliberately fine-tuned, but some experimentation can create surprisingly pleasing results (and save the headache of adjusting a dozen parameters).
Download the free plugin here: MJUCjr
MJUCjr is compatible with Mac OS X 10.6 and later versions as well as Windows 7 and later versions.
3. SAFE Compressor by Semantic Audio
The SAFE Compressor is a relatively transparent compressor that excels in subtlety in comparison to the biting Rough Rider or tube-emulating MJUCjr. It has all your standard compressor parameters (threshold, ratio, knee, attack, release, and gain) alongside a simple graphic display that offers a visual reference for your compression curve.
What makes the SAFE Compressor unique is how the user can upload and download custom presets made by other users via Semantic Audio’s server. This nifty feature allows for the SAFE Compressor to have an unlimited number of presets that can be experimented with endlessly.
Download the free plugin here: SAFE Compressor
SAFE Reverb is compatible with Mac OS X 10.6 and later as well as Windows and Linux.
4. DCAM FreeComp by FXpansion
FXpansion’s DCAM FreeComp is a circuit-modelled compressor that can deliver some extra punch to a track. Its ratio dial locks at 3 positions, delivering options of gentle attenuation, moderate compression, and near-limiting aggression.
The UI has a classic look featuring an analog-inspired meter that can toggle between output metering and gain reduction metering. Use DCAM FreeComp modestly to tame peaks and glue tracks together, or crank up the settings for some energetic pumping and envelope shaping.
Download the free plugin here: DCAM FreeComp
DCAM FreeComp is compatible with Mac OS X 10.5.8 and later versions as well as Windows 7 and later versions.
5. OTT by Xfer Records
Xfer Records bring the same quality and edge found in Serum (their flagship wavetable synthesizer) to the OTT compressor. This compressor remains minimalistic in its controls while featuring unique functionalities such as upwards and downwards compression as well as multiband capabilities.
OTT shines brightest in genres such as dubstep or electro where it can be used for aggressive envelope manipulation or limiting at higher Depth settings. Used properly, the OTT compressor can rival many commercial compressors in the market.
Download the free plugin here: OTT
OTT is compatible with Mac OS X as well as Windows.
Download the demo project:
The project below showcases the five compressor plugins with custom presets from Splice. The project first plays an uncompressed drum groove and then loops with a different compressor plugin applied to each repeat.
Download our custom presets for all 5 free compressors.
October 26, 2018
UAD API 2500 Bus Compressor Plug-In Cracked with [crack key,serial,license] for Pc & Mac
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“The API 2500 Bus Compressor is the only piece of analog gear that’s stayed consistent with me through the years. Now with the UAD plug-in there is finally a worthy model.”
– Vance Powell(Jack White, The Dead Weather, The Raconteurs)
Pioneering audio recording for more than 50 years.
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Founded in 1958 by Bill Putnam Sr., Universal Audio has been synonymous with innovative recording products since its inception. A favorite engineer of Frank Sinatra, Nat King Cole, Ray Charles and more, the late Bill Putnam Sr. was a passionate innovator who is widely regarded as the father of modern recording — with many of his legendary studio and equipment designs still in use today.
Specifically, Putnam was the inventor of the modern recording console, the multi-band audio equalizer, and the vocal booth, and he was the first engineer to use artificial reverberation in commercial recording. Alongside his friend Les Paul, Putnam was also involved in the early development of stereophonic recording.
Putnam, a natural entrepreneur, started three audio product companies during his long career: Universal Audio, Studio Electronics, and UREI. All three companies built equipment that remains widely used decades after their introduction, including the ubiquitous LA-2A and 1176 compressors, and the 610 tube recording console. The 610 console in particular stands as one of the most beloved designs in audio history, used to record everyone from Sinatra to the Beach Boys to Van Halen’s eponymous debut.
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The Only End-to-End API 2500 Emulation
Poring over proprietary “for-your-eyes-only” schematics made available to Universal Audio by API, our team of DSP experts analyzed two classic API 2500s — rackmount and in-console — ensuring one of UA’s tightest behavioral circuit models to date. Working together with API’s engineers, we scrutinized every facet of the plug-in against its analog counterpart, delivering the definitive representation of this iconic compressor. Early beta testing with UA artists confirmed that the plug-in ranks among the most accurate analog emulations in UA history.
Built for the 2-Bus
API designed the 2500 compressor with program material firmly in mind. Its Release control includes fixed or variable options, while the Attack, Threshold, and Ratio controls offer musical tweaking throughout their range, making the API 2500 a toneful dynamics overlord for your stereo bus.
Shaping Tone and Dynamics
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The API 2500 allows selection between three custom-voiced compression Knees — Soft, Medium, and Hard. You can shape the tone further with two compression types; “Old” for characterful peak-detection harkening back to API’s earliest, highly-coveted 525, or “New”, which features a modern feed-forward design.
Thrust Control for Unmatched Punch
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Taken from their Paragon series of consoles, the API 2500’s Thrust feature puts a filter before the RMS detector, evening high and low frequency energy — so neither triggers the compressor more than the other. This gives you a tight hallmark API punch beyond any other compressor.
Enhance Energy and Motion
Most compressors only allow you to turn left/right linking on or off. The API 2500 Bus Compressor Link parameters allow for precision control of your mix’s L/R dynamic interaction. Set exactly how much dependence — or independence — you want your L/R spatial dynamics field to have, and hone your dynamic contours even further with the Shape control.
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An obsessively accurate emulation of API’s flagship compressor.
The API 2500 Bus Compressor is a permanent fixture on the stereo bus of many of the world’s top engineers and producers. Considered the best of the Paul Wolff-era API circuit designs, this famed compressor adds energy, movement, and tone to stereo mixes and subgroups unlike any other compressor.
The API 2500 Bus Compressor plug-in for UAD-2 hardware and Apollo interfaces is a spot-on emulation of this classic compressor, capturing its all-discrete signal path with Thrust®circuitry — and features a fanatically detailed modeling of API’s custom transformers and 2510 and 2520 op amps.
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